Mike Reid Photography
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Field Session · Saturday · November 7, 2026

Leaves & Bokeh

A small, quiet photography session exploring autumn color, depth, distance, background and the way small changes in position can transform a photograph.

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Stop chasing yesterday's photographs.
Find today's opportunity.

Field Sessions are quiet, small-group photography experiences centered on learning to see more clearly in the field.

We work with ordinary subjects in good conditions — autumn leaves, forests, flowers, winter detail and mountain landscapes — while paying close attention to light, background, color, depth, distance and atmosphere.

These are not gear-driven workshops or photo tours built around collecting predetermined compositions. The goal is to become better at recognizing what a place is offering today.

Groups are generally limited to six photographers, leaving time to work individually, ask questions and move through a location at an unhurried pace.

Field Sessions through the seasons

Sessions follow the light and the season. Dates for future sessions are announced as conditions and locations become clear.

November 7, 2026
Registration open

Leaves & Bokeh

Autumn color, depth, distance and the way small changes in position can transform an ordinary background.

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January 2027
Planned

Winter Color & Texture

Restrained color, quiet details, natural forms and subjects that are easily overlooked during the winter months.

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March 2027
Planned

Seeing the Forest

Layers, quiet light, visual simplification, moss, structure and finding order inside visually complex woodland.

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April 2027
Planned

Spring Blossoms in Soft Light

Color relationships, selective focus, clean backgrounds and learning how distance can turn a busy garden into a quiet photograph.

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June 2027
Planned

Roses in Soft Light

Layered color, selective focus, background control and careful observation among Seattle-area roses.

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July–August 2027
Seasonal

Mountain Wildflowers & Evening Light

Working with wildflowers as part of the larger landscape, using evening light, atmosphere and relationships between foreground and mountain terrain.

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September 2027
Planned

Dahlias in Soft Light

A late-summer study of color, selective focus, thoughtful backgrounds and evening light.

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Seeing begins before the camera comes up.

Good photographs often begin with observation rather than equipment.

We spend time looking before photographing, making small adjustments and noticing how a subject changes with light, angle, patience, distance and restraint.

A few feet of movement can completely change a background. Waiting for softer light can separate shapes that were previously competing. Moving farther away can make a photograph simpler rather than smaller.

Those decisions matter more to me than formulas or gear.

Small shifts make the photograph

Light

Recognizing soft, directional and atmospheric light — and understanding when waiting changes everything.

Background

Learning how angle, distance and lens choice affect separation, simplicity and visual calm.

Color

Seeing relationships between colors rather than treating color as something to intensify later.

Depth

Using layers, selective focus and spatial relationships to create photographs that feel dimensional.

Restraint

Learning when removing information creates a stronger photograph than adding more.

Opportunity

Stop chasing yesterday’s photographs. Learn to recognize what today’s light and conditions are offering.

Soft-focus pale dahlia against a quiet green background White dahlia with another flower softly blurred behind it Warm dahlia photographed with soft selective focus Pink and white dahlias against a soft green background

One-on-one mentoring

Private field days are occasionally available by request and can be shaped around your interests, experience and the conditions.

Ask about a private day →

Some sessions cannot be scheduled months in advance.

Exceptional wildflowers, unusual fog, fall color, snow or other seasonal conditions sometimes create opportunities worth acting on quickly.

Additional Field Sessions may be added when the conditions justify them. If you would like to hear about those sessions, send me a note and I’ll keep you informed.

Join the Field Sessions interest list →

“I learned more about where to stand and when to wait for light in a few hours than I had in years of shooting on my own.” — Chuck
“The way Mike explains light and restraint changed how I approach every photograph I make.” — Raina
“A few hours in the field with Mike was more valuable than an entire photography course. I came away seeing places differently.” — Rachel

Leaves & Bokeh

Limited to six photographers. If the session sounds like the way you would like to work in the field, send me a note.

Ask about a spot →